Print V 68 N°3 (2014)

UP FRONT

IN BACK

11 GRIDS+GRIDES
Louise Fili’s two-tone pencils embrace Italian design and traditions. Plus, a tattoo coloring book combines Ollie Munden’s passions.

14 EVOLUTION
The term “graphic designer” hasn’t always been the verbiage used to describe the profession. Discover how it has made its way into our vernacular.

18 INTERVIEW
The duo behind Kern and Burn discuss the lessons they learned by chatting with design entrepreneurs.

69 REVIEWS
The Creators Club handcrafts custom wares that blend the best of Scandinavian minimalism with vintage Americana.

72 THE LAST WORD
Seymour Chwaste depicts General Custer’s final moments from the Battle of Little Bighorn in 1876.

DEPARTMENTS

22 INTERACTION
Content strategy isn’t necessarily the future of web design. So what is, and why has it always been the foundation of successful projects and collaborations?

26 DIALOGUE
When entrepreneurialism meets artistic talent, the result can be uncanny.
From the desire to make the perfect ax, Peter Buchanan-Smith has created a thriving company.

28 STEREOTYPE
Font Bureau designer David Jonathan Ross doesn’t view screen fonts or web fonts as categorically different from print fonts. Here´s why.

Publicado por Natalia Arocena | 13 de junio de 2014 - 10:26 | Actualizado: 13 de junio de 2014 - 10:40 | PDF